domingo, 29 de janeiro de 2017
terça-feira, 24 de janeiro de 2017
Um dia destes vou testar técnicas de relaxamento muscular (16 grupos)
Para reduzir a tensão e ansiedade, podem ser usadas técnicas de relaxamento muscular, que numa primeira fase actuam em 16 grupos musculares:
http://www.sos-ensinosuperior.com/wp-content/uploads/2012/05/Aprender_a_relaxar.pdf
Mais no Google (com imagens):
http://www.google.pt/search?q=tecnicas+de+relaxamento+muscular+%2B16+grupos&gws_rd=cr&ei=1fSHWJ2pO8yvavuYtugM
http://www.sos-ensinosuperior.com/wp-content/uploads/2012/05/Aprender_a_relaxar.pdf
Mais no Google (com imagens):
http://www.google.pt/search?q=tecnicas+de+relaxamento+muscular+%2B16+grupos&gws_rd=cr&ei=1fSHWJ2pO8yvavuYtugM
segunda-feira, 16 de janeiro de 2017
Um dia destes vou testar um Vocoder
Se bem que este é um Vocoder dos tempos modernos, um dia destes vou testar um Vocoder:
http://www.musicradar.com/reviews/tech/roland-boutique-vp-03-vocoder-646572#
http://www.musicradar.com/reviews/tech/roland-boutique-vp-03-vocoder-646572#
segunda-feira, 2 de janeiro de 2017
Um dia destes vou aprender a captar um Leslie em condições...
... Mas antes vou ter de comprar um (ou um clone como os Elka):
Leslie speaker - Wikipedia
Citando:
"Miking
Because a Leslie speaker modifies as well as amplifies the sound, the output cannot simply be connected to a larger PA system if the volume onstage from the built-in amplifier is too quiet. This is particularly problematic for an older Leslie like the 122 or 147, which only has a 40 watt RMS power amplifier. Instead, microphones are placed around the Leslie, and the output from these is connected to the PA. A typical setup for onstage miking is to use two microphones placed on opposite sides of the horn and a single microphone on the drum.
Miking a Leslie is also important in a recording studio, as the choice and positioning of microphones determines the overall recorded sound. A popular recommendation is two Shure SM57s on the horn and a Sennheiser MD421 on the drum. Recording Magazine's Dave Martin suggests a similar setup, with various microphone models used as stereo pairs on the horn but using an Electro-Voice RE20 on the drum instead. Keith Emerson [from ELP] recorded his Leslie using a single mic each on the horn and the drum, but with the covers removed."
Leslie speaker - Wikipedia
Citando:
"Miking
Because a Leslie speaker modifies as well as amplifies the sound, the output cannot simply be connected to a larger PA system if the volume onstage from the built-in amplifier is too quiet. This is particularly problematic for an older Leslie like the 122 or 147, which only has a 40 watt RMS power amplifier. Instead, microphones are placed around the Leslie, and the output from these is connected to the PA. A typical setup for onstage miking is to use two microphones placed on opposite sides of the horn and a single microphone on the drum.
Miking a Leslie is also important in a recording studio, as the choice and positioning of microphones determines the overall recorded sound. A popular recommendation is two Shure SM57s on the horn and a Sennheiser MD421 on the drum. Recording Magazine's Dave Martin suggests a similar setup, with various microphone models used as stereo pairs on the horn but using an Electro-Voice RE20 on the drum instead. Keith Emerson [from ELP] recorded his Leslie using a single mic each on the horn and the drum, but with the covers removed."
Um dia destes vou voltar a ouvir um dos meus bateristas favoritos: Andy Ward (musician) - Wikipedia
Um dia destes vou voltar a ouvir um dos meus bateristas favoritos (Camel):
Andy Ward (musician) - Wikipedia
Andy Ward (musician) - Wikipedia
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