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quinta-feira, 23 de novembro de 2017
1dd vou gravar (produtivamente)
https://blog.landr.com/pt-br/dicas-de-produtividade/?utm_medium=cpc&utm_source=facebook&utm_campaign=GeneralBoostMobilePT&utm_content=1450728674966674_1682893898416816&utm_id=5a14e464921e7e14443c9b3e
sábado, 8 de julho de 2017
1dd vou gravar (multi-pistas)
https://m.muziker.pt/zoom-h6-recorder?gclid=CNL_wf2o-tQCFdU_GwodUKQOHQ
1dd vou gravar... Zoom H4N (audio)
https://m.muziker.pt/zoom-h4n-pro-handy-recorder?gclid=COa7tvWk-tQCFe8W0wodZrQPuA
segunda-feira, 2 de janeiro de 2017
Um dia destes vou aprender a captar um Leslie em condições...
... Mas antes vou ter de comprar um (ou um clone como os Elka):
Leslie speaker - Wikipedia
Citando:
"Miking
Because a Leslie speaker modifies as well as amplifies the sound, the output cannot simply be connected to a larger PA system if the volume onstage from the built-in amplifier is too quiet. This is particularly problematic for an older Leslie like the 122 or 147, which only has a 40 watt RMS power amplifier. Instead, microphones are placed around the Leslie, and the output from these is connected to the PA. A typical setup for onstage miking is to use two microphones placed on opposite sides of the horn and a single microphone on the drum.
Miking a Leslie is also important in a recording studio, as the choice and positioning of microphones determines the overall recorded sound. A popular recommendation is two Shure SM57s on the horn and a Sennheiser MD421 on the drum. Recording Magazine's Dave Martin suggests a similar setup, with various microphone models used as stereo pairs on the horn but using an Electro-Voice RE20 on the drum instead. Keith Emerson [from ELP] recorded his Leslie using a single mic each on the horn and the drum, but with the covers removed."
Leslie speaker - Wikipedia
Citando:
"Miking
Because a Leslie speaker modifies as well as amplifies the sound, the output cannot simply be connected to a larger PA system if the volume onstage from the built-in amplifier is too quiet. This is particularly problematic for an older Leslie like the 122 or 147, which only has a 40 watt RMS power amplifier. Instead, microphones are placed around the Leslie, and the output from these is connected to the PA. A typical setup for onstage miking is to use two microphones placed on opposite sides of the horn and a single microphone on the drum.
Miking a Leslie is also important in a recording studio, as the choice and positioning of microphones determines the overall recorded sound. A popular recommendation is two Shure SM57s on the horn and a Sennheiser MD421 on the drum. Recording Magazine's Dave Martin suggests a similar setup, with various microphone models used as stereo pairs on the horn but using an Electro-Voice RE20 on the drum instead. Keith Emerson [from ELP] recorded his Leslie using a single mic each on the horn and the drum, but with the covers removed."
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